This point is underscored by a genuinely funny skit (a rare feat in itself) featuring The Madd Rapper, a character on a talk show who is ranting about why his raps deserve more success than Biggie. But the next song makes clear Christopher Wallace hasn’t forgotten the people who brought him here. Close like Starsky and Hutch, stick the clutch.Ĭelebrating their cartoonishly lavish lifestyle by proxy, we’ve left the darkness well behind. You’re witnessing the infectious birth of the shiny suit era, and it’s clear whose steering rap in this direction: Yeah, Poppa and Puff. He is speeding on a gleaming yacht with his scrawny buddy, running from the man, Gucci shirts flapping in the wind as stacks of money flutter across the water in their wake. He’s effortlessly cool, sophisticated, and insanely charismatic, but with an all the more menacing undertone. As a father of a young daughter himself, a daughter we’d seen him doting over in the Juicy video, we now fully understand why he felt he didn’t deserve to live at the end of Ready to Die.īehold The Black Frank White, a brand new character authored by Christopher Wallace that comes barreling in through “Hypnotize," leaving us no time to mourn. “There's Jason with his back to me / Talkin' to his faculty / I start to get a funny feeling / Put the mask on in case his n*ggas start squealin' / Scream his name out (‘Ay yo, playboy!’) / Squeezed six, nothin' shorter / N*gga turned around holdin' his daughter”īiggie fills his final sentence with so much regret that we can feel his guilt. The second verse is the dialogue of the moment the duo prepare their retaliation (“ Don't fill them clips too high, give them bullets room to breathe”), which creates a gradual increase in rising tension before the attack in the third verse gives way to the heartbreaking conclusion: With the supreme eye for detail that made him such a master of storytelling, Biggie lavishes specific details that make the listener envision the scene: the dogs barking, the blood on the sneakers of the friend giving him the bad news, how he knows him from slinging on the 16th floor. Arguably the darkest song in his entire discography, “Somebody’s Gotta Die” details Biggie hearing about how his friend C-Rock just got shot by a guy named Jason, and how he plans his revenge.
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